CLARE CLARKSON PRODUCTION DESIGN​

Commercials. Films. Promos. Documentaries. Working with Clare to keep her high profile media presence up to date.

ROYAL NAVY
DIR: STEVE REEVES
Another Film Company
Finalist Craft Awards. 
Best Production Design

MS DYNAMITE
DI-MAN-ITEE
DIR : JAKE NAVA
NOMINATED FOR MUSIC AWARD
BEST PRODUCTION DESIGN

MR.STINK
DIR: DECLAN LOWNEY
BBC.
Nominated for Bafta, 
Best Comedy 2013

BLUR
SONG 2
DIR : SOPHIE MULLER
MUSIC WEEK AWARD
BEST PRODUCTION DESIGN


           

NEWS

GOOD GOVERNANCE INSTITUTE
HTV are proud to be working with the good governance Institute. Its predictions and observations of…
ALEX RUSSELL FLINT
Working with Alex Russell Flint in the studio producing photographic documentation. He is a British…
ACTORS HEAD SHOTS
New profile shots for Jeff Longland
TASS EXHIBITION REPRODUCTION
The visual impact and immense communicative value of TASS posters have been evident since they were…
MARGATE BARRED
The studio became the setting for Margate Barred — a bold, thirty-minute short film written by Dean…
PAUL ROBERTS web development
New web profile for Paul Roberts. Concert pianist, writer, lecturer, inspiring teacher

NEWS

KID KAPICHI
Great to have Kid Kapichi shooting their video Glitterati at the studio
MARGATE BARRED
The studio became the setting for Margate Barred — a bold, thirty-minute short film written by Dean Stalham and directed by Ben Cole.
Cells4Life: Pioneering the Future of Stem Cell Storage
In the rapidly advancing field of biotechnology, stem cell storage is emerging as a cornerstone of future medical treatments and therapies. I recently had the privilege of working with Cells4Life, a leader in this innovative and crucial industry.
FURNITURE PHOTOGRAPHY
Mark Thomas Furniture working in the studio with new oak table in the Hastings photo studio
Capturing Life's Stories: The Art of Memoir with LifeBook
Discover the art of preserving life stories with LifeBook Memoirs. Explore how personalized memoirs capture the essence of human experiences, connecting generations through storytelling