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LUCY BELL GALLERY EXHIBITION

TIM NATHAN PHOTOGRAPHY

FLIP THE SCRIPT

50°51′6″ N 0°33′28″ E

The documentation of a personal jorney

Preview Thursday 23rd September 6-8pm
23rd September – 15th October
Gallery Open Thursday Friday Saturday and Sunday

In her famous love letter to the Cairngorms ‘The Living Mountain’ Nan Shepherd describes moments in her relationship to the landscape when “something moves between me and it. Place and mind may interpenetrate until the nature of both are altered’. something has been altered here, and we are richer for it.”
– Elizabeth Adams architect

After a successful exhibition at Bermondsey Project Space in London, in partnership with The Good Governance Institute, Tim Nathan brings his large format seascapes home to the town that gave him his inspiration.

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"It is as if the drama and anticipation of changing skies and moody seas echo the complication and confusion of our troubled minds. These scenes witnessed through a lens and cast within a frame speak of personal human pain, experiences and circumstances, temper our suffering. The sea and sky bring us a calm wonder and visceral moments in time. Nature's visual gift to us is that of peace and joy."

EDDIE KNIGHT

Nick Glass interviews Tim Nathan in the run up to the Exhibition

"FLIP THE SCRIPT
50°51′6″ N 0°33′28″ E"

TIM NATHAN PHOTOGRAPHY

The documentation of a personal journey

The Bermondsey Project Space September 2021

Each photograph in this series is both a meditation on our relationship with the natural world, and a celebration of its dramatic beauty.
Popular psychology recommends engaging with something bigger than ourselves in order to heal a fragile mind, and Tim has described his personal story in relation to the work as a transformative journey from despair to high spirits. Stepping away from the dubious business of ‘self-expression’ he has instead deployed persistence and quiet discipline to record the daily phenomena of the sea. The result is a rich and complex narrative of the undisciplined behaviour of air and water; one in which dark clouds release a veil of rain far from the shore anticipating a storm, a whisp of cloud hovers in an almost clear sky, above a tranquil sea, or a full moon casts a nicotine hue across the dark water. Whilst we recognise the scene, the dramatic sensuality that emerges from each image’s composition and the powerful body of work seen together is less familiar.

In her famous love letter to the Cairngoms, ‘The Living Mountain’ Nan Shepherd describes moments in her relationship to the landscape when ‘something moves between me and it. Place and mind may interpenetrate until the nature of both are altered’. something has been altered here, and we are richer for it

– Elizabeth Adams

’something has been altered here, and we are richer for it’

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